「風」から読むジェンダー

■授業情報［Course Information］

授業日程［Course Dates］

授業時間［Class Hours］

教室［Classroom］

実施形態

使用言語［Classroom Language］

過去の授業［Past Lectures of this Course］

■主題と到達目標［Theme and Objectives of Class］

■キーワード／サブテーマ［Keywords/Subtopics］

■関連ページ（生存学データベース内）［Related Pages on arsvi.com］

■講義内容［Lecture Contents］

第1回：「オリエンテーション――シラバスの確認と補足＋周知事項＋Introduction」［2023/04/14］

第2回：「プロローグ――オルタナティヴな男性ジェンダーの世界における風の存在」［2023/04/21］

第3回：「街角に吹く風、そこでの振る舞い（1）」［2023/04/28］

第4回：「街角に吹く風、そこでの振る舞い（2）」［2023/05/12］

第5回：「街角に吹く風、そこでの振る舞い（3）」［2023/05/19］

第6回：「街角から始まる変態＝自立――風になる／風を内包する」［2023/05/26］

第7回：「本当の「風まかせ」とはどういうことか――本質的な風の世界に身を委ねられるか」［2023/06/09］

第8回：「風が促す環境要因の能動的変態――そこに“わたし”が飛び込むこと・一体化すること」［2023/06/16］

第9回：「潮風を介した海との呼応関係――身体性・親密性・女性性・クィア性」［2023/06/23］

第10回：「海へ向かう道、星が導き、風が迎え入れる――海の世界の導入口たる潮風がもつ遠隔機能」［2023/06/30］

第11回：「風が止まる・風が止める・風が区切る――記憶と幻想を展開し制御する潮風の働き」［2023/07/07］

第12回：「南からの海風を招き入れる――反転する包容関係、古代世界との接続、豊饒な再生産能力」［2023/07/14］

第13回：「親密性と分断性・自立性――風に乗る、だけでなく、風を切って走る」［2023/07/21］

第14回：「風を追い、南に回帰する人魚――その過程としての多重的変態」［2023/07/28］

第15回：「目を閉じ、風に乗り、光へと遡る――再生産する原初的生態の潜在性」［2023/08/08］＊補講期間

定期試験［2023/08/04］

■参考［References］

参考文献［References］

“【Caption】Greenham Common, West Berkshire: This is a place of both human and animal community, migrating birds, peaceful heath. It wasn’t always thus”

“【Caption】Britain is a country shaped by its landscape. But what are the politics of the British countryside? Richard Smyth tracks the chequered political history of nature writing, from Henry Williamson to Paul Kingsnorth.”

“【Caption】At the Primal Gathering retreat, attendees seek new ― and sometimes surreal ― ways to connect with nature and take meaningful action on environmental destruction”

“【Quot.】‘Even this stretch in Grassington, miles upstream from the better-known polluted part, is not completely safe. Still, I swim, at my own risk and at least partly in protest.’”

“【Caption】Focus on market has led to climate crises, with spiritual, cultural and emotional benefits of nature ignored”

“【Caption】Two recent books find, in the fluidity and endurance of marine life, respite from a world that expects conformity.”

“【Caption】Leila Taheri makes sure a London nature reserve is habitable for wildlife and safe for visitors. Now it’s her turn to be looked after”

“【Caption】The all-female workforce is part of a visionary project committed to protecting the wetland forests. Now their challenge is to earn a sustainable living year-round”

“【Caption】A photo series following biologist and TV presenter Gillian Burke and Steppers founder Cherelle Harding as they explore and connect to the natural world.”

“【Caption】Trees communicate with each other, store memories and respond to attacks. They have a profoundly positive effect on our emotions … but can we know how they feel about us?”

“【Quot.】When you are sailing, surfing or swimming, says White, “you’re really in tune with natural forces there ― you have to understand the motion of the wind, the movement of the water”. By being forced to concentrate on the qualities of the environment, we access a cognitive state honed over millennia. “We’re kind of getting back in touch with our historical heritage, cognitively.” Water is, quite literally, immersive.”

“【Description】In Marina Benjamin’s new set of interlinked essays, she turns her astute eye to the tasks once termed ‘women’s work’. From cooking and cleaning to caring for an ageing relative, A Little Give depicts domestic life anew: as a site of paradox and conflict, but also of solace and profound meaning. Here, productivity sits alongside self-erasure, resentment with tenderness, and the animal self is never far away, perpetually threatening to break through.”

“神の息吹として高められ、身体器官から放たれるものとして貶められもする“風”。目に見えないその存在は西洋文化や美術の中でどう表現されてきたのか。”

対象候補とした（が取り上げられなかった）題材［Alternative Candidates］

関連する情報［Related Information］