<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> <html> <head> <title>Robert Stam and Toby Miller, eds. Film and Theory - An Anthology</title> </head> <body> <a name="top"></a> <center> <table width="750"> <tbody> <tr> <td><font style="line-height: 140%;"> <font size="-1">&gt;<a href="http://www.arsvi.com/index.htm">HOME</a> &gt;<a href="http://www.arsvi.com/b/0.htm">BOOK</a></font> <center> <hr><font color="#333333" size="+1"><b>Film and Theory - An Anthology</b></font><br> <br> Robert Stam and Toby Miller, eds. 2000, Blackwell Publishing 880p.0ISBN-10:0631206264 </center> <hr><br> <center><a href="http://www.arsvi.com/b/a.htm">S0n0(00L}1uW0f0;amazon= ;boople=;bk1=g0eQW0f0D0_0`0Q00h0a0</a></center> <br> %Robert Stam and Toby Miller, eds.020000<u>Film and Theory - An Anthology</u>, Blackwell Publishing 880p.0ISBN-10: 0631206264<br> <br> %Blackwell Publishingn0HP<br> <a href="http://www.blackwellpublishing.com/book.asp?ref=9780631206262&amp;site=1">http://www.blackwellpublishing.com/book.asp?ref=9780631206262&amp;site=1</a><br> <br> %v!k<br> Acknowledgment<br> <br> Introduction00Robert Stam<br> <br> Part`!00The Author<br> Introduction00Robert Stam<br> 00100Dennis Porter and the Question of the Television Author00Rosalind Coward<br> 00200To Desire Differently: Feminism and the French Cinema00Sandy Flitterman-Lewis<br> 00300The Unauthorized Auteur Today00Dudley Andrew<br> <br> Parta!00Film Language/Specificity<br> Introduction00Robert Stam<br> 00400The Specificity of Media in the Arts00NoQl Carroll<br> 00500For a Semio-Pragmatics of Film00Roger Odin<br> 00600The Scene of the Screen: Envision Cinematic and Electronic "Presence"00Vivian Sabchack<br> <br> Partb!00The Image and Technology<br> Introduction00Toby Miller and Robert Stam<br> 00700Necessities and Constraints: A Pattern of Technological Change00Brian Winston<br> 00800Projections of Sound on Image00Michel Chion<br> 00900Modes of Production: The Television Apparatus00John T. Caldwell<br> <br> Partc!00Text and Intertext<br> Introduction00Robert Stam<br> 001000Questions of Genre00Steve Neale<br> 001100A Semantic/Syntactic Approach to Film Genre00Rick Altman<br> 001200The "Force-Field" of Melodrama00Stuart Cunningham<br> 001300Film Bodies: Gender, Genre, and Excess00Linda Williams<br> <br> Partd!00The Question of Realism<br> Introduction00Robert Stam<br> 001400The Cinema of Attraction: Early Film, Its Spectator, and the Avant-Garde00Tom Gunning<br> 001500Black American Cinama: The New Realism00Manthia Diawara<br> <br> Parte!00Alternative Aesthetics<br> Introduction00Robert Stam<br> 001600Towards a Third Cinema00Fernando Solanas and Octavio Gettino<br> 001700For a Imperfect Cinema00Julio Garcia Espinosa<br> 001800Towards a Critical Theory of Third World Films00Teshome H. Gabriel<br> 001900Rethinking Women's Cinema: Aesthetics and Feminist00Teresa de Lauretis<br> <br> Partf!00The Historical Spectator/Audience<br> Introduction00Toby Miller<br> 002000Cowboys and Indians: Perceptions of Western Films Among American Indians and Anglos00JoEllen Shively<br> 002100Television News and Its Spectator00Robert Stam<br> 002200Addressing the Spectator of a "Third World" National Cinama: The Bombay "Social" Film of the 1940s and 1950s00Ravi S. Vasudevan<br> <br> Partg!00Apparatus Theory<br> Introduction00Toby Miller<br> 002300The Imaginary Signifier00Christian Metz<br> 002400The Orthopsychic Subject: Film Theory and the Reception of Lacan00Joan Copjec<br> 002500Feminism, Film Theory and the Bachelor Machines00Constance Penley<br> <br> Parth!00The Nature of the Gaze<br> Introduction00Toby Miller<br> 002600Visual Pleasure and Narrative Cinema00Laura Mulvey<br> 002700Film and the Masquerade: Theorizing the Female Spectator00Mary Ann Doane<br> 002800The Oppositional Gaze: Black Female Spectators00bell hooks<br> 002900Looking Awry00Slavoj }i~ek<br> <br> Parti!00Class and the Culture Industries<br> Introduction00Toby Miller<br> 003000Constituents of a Theory of the Media00Hans Magnus Enzensberger<br> 003100Ideology, Economy and the British Cinema00John Hill<br> 003200Mass Culture and the Feminine: The "Place" of Television in Film Studies00Patrice Petro<br> <br> Parti!`!00Stars and Performance<br> Introduction00Toby Miller<br> 003300Heavenly Bodies: Film Stars and Society00Richard Dyer<br> 003400The She-Man: Postmodern Bi-Sexed Perfomance in Film and Video00Chris Straayer<br> 003500Roseanne: Unruly Woman as Domestic Goddness00Kathleen K. Rowe<br> 003600Marlon Brando in On the Waterfront00James Naremore<br> <br> Parti!a!00Permutations of Difference<br> Introduction00Robert Stam<br> 003700Gender and Culture of Empire: Towards a Feminist Ethnography of the Cinema00Ella Shohat<br> 003800Fantasies of the Mater Race: Categories of Stereotyping of American Indians in Film00Ward Churchill<br> 003900Cultural Identity and Cinematic Representation00Stuart Hall<br> 004000White Priviledge and Looking Relations: Race and Gender in Feminist Film Theory00Jane Gaines<br> 004100White00Richard Dyer<br> <br> Parti!b!00The Politics of Postmodernism<br> Introduction00Robert Stam<br> 004200Television and Postmodernism00Jim Collins<br> 004300Critical and Textual Hypermasculinity00Lynne Joyrish<br> 004400"In My Weekend-Only World...": Reconsidering Fandom00Henry Jenkins<br> <br> Selected Bibliography00Toby Miller and Robert Stam<br> Index<br> <br> <br> %3#e.s<br> 00000000Robert Stam<br> 20020524000000000W0EmΑ 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