| >HOME
>BOOK
Mimesis as Make Believe: On the Foundations of the Representational Arts Walton, Kendall L. Walton, 1990, Harvard University Press，480p. ISBN-10: 0674576039 ■Walton, Kendall L. 1990 Mimesis as Make Believe: On the Foundations of the Representational Arts, Harvard University Press，480p. ISBN-10: 0674576039 ■目次 Acknowledgement Introduction Part One Representations 1. Representation and Make-Believe 1-1. Imagining 1-2. Prompters 1-3. Objects of Imaginings 1-4. Imagining about Oneself 1-5. Props and Fictional Truths 1-6. Fictionality without Props: Dreams and Daydreams 1-7. Representations 1-8. Nonfigurative Art 1-9. Fictional Worlds 1-10. The Magic of Make-Believe 2. Fiction and Nonfiction 2-1. Nonfiction 2-2. Fiction versus Reality 2-3. Linguisitic Strategies 2-4. Fiction and Assertion 2-5. Presented and Represented Illocutionary Actions 2-6. Fiction Making as an Illocutionary Actions 2-7. Mixtures, Intermediates, Ambiguity, Inderterminacy 2-8. Legends and Myths 2-9. A Note on Truth and Reality 2-10. Two Kinds of Symbols? 3. Objects of Representation 3-1. What Objects Are 3-2. Representation and Matching 3-3. Determinants 3-4. Representing and Referring 3-5. Uses of Objects 3-6. Reflexive Represenation 3-7. The Inessentiality of Objects 3-8. Nonactual Objects? 4. The Mechanics of Generation 4-1. Principles of Generation 4-2. Direct and Indirect Generation 4-3. Principles of Implication 4-4. The Mechanics of Direct Generation 4-5. Silly Questions 4-6. Consequences Part Two Appreciating Representations 5. Puzzles and Problems 5-1. Rescuing Heroins 5-2. Fearing Fictions 5-3. Fictionality and Other Intentional Properties 6. Participation 6-1. Participation in Children's Games 6-2. Appreciators as Participants 6-3. Verbal Participation 6-4. Restrictions on Participation 6-5. Aside to the Audience 6-6. Seeing the Unseen 7. Psychological Participation 7-1. Fearing Ficitonally 7-2. Participating Psychologically 7-3. Paradoxes of Tragedy 7-4. Suspense and Surprise 7-5. The Point of Participation 7-6. Appreciation without Participation Part Three Modes and Manners 8. Depictive Representation 8-1. Depticion Defined 8-2. Looking at Pictures and Looking at Things 8-3. Styles of Depiction 8-4. Realism 8-5. Cross-Modal Depticion 8-6. Musical Depictions 8-7. Point of View (in Depiction) 8-8. Conclusion 9. Verbal Representations 9-1. Verbal Depiction 9-2. Narration 9-3. Two Kinds of Reliability 9-4. Nonverbal Narration 9-5. Absent and Effaced Narrators 9-6. Storytelling Narrators 9-7. Mediations 9-8. Points of View in Narrated Represenatations Part Four Semantics and Ontology 10. Doing without Fictious Entities 10-1. The Problem 10-2. Speaking within and about Fictional Worlds 10-3. Ordinary Statements 10-4. Unofficial Games 10-5. Variations 10-6. Logical Form 11. Existence 11-1. Betrayal and Disavowal 11-2. Claims of Existence and Nonexistence Works Cited Index ■引用 すべての表象＝再現representationに共通するのは、メイクビリーブにおける役割である。(p.4) UP:20080110 REV: ＊作成：篠木 涼 ◇BOOK |